Raku Firing dates back to the 1500's, originating in Japan. Though individuals each have a particular system, the basic process involves application of specially designed raku glazes to bisque fired creations. I generally leave portions of each piece unglazed - for these areas absorb the "smoke" which is one of the most recognizable raku characteristics.This smoked area in contrast to the myriad of crackle and metallic glazes and patinas possible results in a strikingly unusual finish.

For me the beauty of raku is the surprise of the final result - influenced by the endless variables involved - the kiln contents, atmosphere, the organic combustibles utilized - and the whim of the raku gods that day!

The process is intensely exciting, handling pieces nearly 2000 degrees, translucent with heat. These pieces are lifted from the kiln with long tongs and lowered onto a bed of organic combustible materials inside metal cans, creating a fire...after a few seconds the flames are snuffed out by placing lids on the containers. This step causes the smoke which penetrates the unglazed areas of each piece. Its hue will vary from soft brown to pitch black depending on the material burned.

The elements of fire, creative hope and the inherent unpredictability combined make for an unmatched experience!